Wu Baolin: Rare images about Qian Daosun and others.
Some time ago, "Wenhui Scholar" published a short article entitled "A photo that has been repeatedly mistaken for Qian Daosun" (April 12, 2019), aiming at clarifying that the photo of Qian Dao’s granddaughter Liu Jie is generally regarded as Qian Daosun’s mistake in the internet and newspapers. At the end of the article, the author said: "There are not many photos of Qian Daosun preserved by the descendants of the Qian family, and even the photos of his youth can’t be found. Let’s add a photo of his later years to the layout. (The photo is kept by Qian Jia). " After reading it at that time, my intuition was that Qian Daosun (1887-1966) was very famous in the Republic of China, and he was as famous as Zhou Zuoren as a translator of Japanese literature. According to the truth, there must be many images about Qian Daosun in the old magazines of the Republic of China. Because Qian Daosun not only worked as a "civil servant" in the Ministry of Education of the Republic of China, but also served as a lecturer in the Japanese Department of Peking University very early, teaching Japanese and Japanese history, and later served as the curator of the National Peking Library, and then was hired as a professor of Tsinghua University to teach oriental history, and later took over as the curator of the Tsinghua University Library from Zhu Ziqing. Therefore, it is impossible to leave a video record of the complicated experience of being an official and studying. The carriers of these images are undoubtedly all kinds of old newspapers and related peripheral documents. So the author is very curious, so I found some images of Qian Daosun in my spare time, which are not found in today’s online media and newspapers. I thought it was very interesting at that time, so I sent some photos in my circle of friends.
Soon, WeChat official account, the "Scholar of Wenhui", published Wu Zhen’s Qian Daosun, which ran into Zhou Zuoren’s face (published on April 19th, hereinafter referred to as "Alumni Record"), which was a supplement and revision to the previous article. The author mainly "searched for information from two little-used ways". One is the graduation alumni record of national universities during the Republic of China, a list of universities, etc.-this is the basic material source that can be thought of, because Qian Daosun is a "university middleman" after all, and he is also a co-employed professor from "Green Pepper" to the Foreign Languages Department and History Department of Tsinghua. Second, Japanese and puppet photographic publications and archives at that time, such as "North Branch" and the image archives of North China Communications Co., Ltd., which were made public in recent years. Therefore, the author found six photos of Qian Daosun, some of which coincide with what the author found.
In fact, this phenomenon shows that Qian Daosun has been "missing" for a long time in the field of literature and history research. At present, I have only seen Zou Shuangshuang’s Japanese monograph "The Traitor" Huばれた Male-Wan Ye Ji をせした㇗ぞのぞぞの "(April 2014) It can be said that this modern scholar, who had a close acquaintance with Lu Xun in his early years, was proficient in Japanese, Italian and other languages, medicine, art and drama, and played an important role in Sino-Japanese cultural exchanges, has long been forgotten. The reason is of course his "falling into the water" experience after the outbreak of the Anti-Japanese War, such as serving as the president of the pseudo-Peking University, maintaining the affairs of Peking University together with Zhou Zuoren in the occupied area of Peiping, and attending two "Great East Asian Writers’ Conferences".
As Wu Zhen’s article "Classmates Record" said, "It is really difficult to find photos of people in the Republic of China", "But if we can find the right path", "more and more photos of Qian Daosun will be rummaged out from the corner of history". This paper "rummages" some rare photos of Qian Daosun (1925-1963), providing some basic materials and historical sense for the study of image, Qian Daosun and literature and history in the occupied areas, and briefly introducing the image background. In order to avoid repetition, the photos published in the previous article are not repeated. It should be noted that at the completion of this article, I read the Old Shadow of Quan Shou Shu before Collection published by Wenhui Scholar (May 17th), and provided several photos of Qian Daosun in Arts and Arts Magazine, National Magazine and Magazine, which had the same influence source as this article, but because the author relied on the low-pixel photocopied version of the journal database of the Republic of China of the National Library, the clarity of the photos taken by the original magazine was different.
1. Farewell party of Chinese Studies Department of Chen Wanli, Qian Daosun and Peking University Institute.

This photo was collected by Chen Wanli, a famous ceramic research expert and an early photographer in China, and was taken in the "First Special Session of Photography and Film Art" by Xiling Press in the spring of 2017. Official website of Xiling Press introduced the photo as follows:
Chen Wanli (1892 ~ 1969) took photos and inscribed the precious photos of Peking University’s farewell to the northwest scientific investigation group.
Catalog number: 2871
Appraisal RMB: 40,000-60,000.
Transaction price: RMB: 63,250 (including commission)
There are two basic historical errors here. First of all, this photo was not taken by Chen Wanli. Secondly, this is not "Peking University’s farewell to the northwest scientific investigation group".
Chen Wanli, whose real name is Peng, whose name is Wan Li, graduated from Beijing National Medical College in 1917. In 1925, Chen Wanli was a school doctor in Peking University and worked in the Institute of History and Language. At that time, Professor Langdon Warner, an archaeological team of Harvard University in the United States, and others were going to lead a team to Dunhuang for a one-year inspection, and they needed a Chinese guide. Therefore, John C.Ferguson, the then Beiyang government, introduced them and invited people from the Sinology School of Peking University Research Institute to participate, so Chen Wanli was chosen to accompany the archaeological team of Warner. It started from Beijing on February 16th, 1925 and returned on July 31st, lasting five and a half months. On the day before departure, the National Studies Department of Peking University Research Institute held a farewell party for Chen Wanli.
Historically, the "Northwest Scientific Investigation Team" was formally established in April 1927, and it has the significance of declaring the autonomy and ownership of China’s cultural relics archaeology, mainly aiming at the behavior that Sven Hedin and others of the Swedish expedition will go to the northwest provinces of China to inspect geology, meteorology and collect cultural relics. For example, the academic circles in Beijing initiated the establishment of "China Association of Academic Organizations" and published "Declaration against Outsiders Taking China Antiquities at Will", and so on. In 1925, Chen Wanli was only the accompanying guide of the American archaeological team, while in 1927, there were 15 members from China and 23 members from foreign countries in the northwest scientific expedition, so this expedition was also called "fighting for academic sovereignty". (For details, please refer to Guo Jianrong’s "Northwest Scientific Research Departs from Peking University" and "Peking University School Newspaper" on May 15, 2007).

On May 9, 1927, the Chinese members of the Northwest Scientific Investigation Team took a group photo with the farewell party when they set out from the National Studies Department of Peking University Research Institute.
This photo collected by Chen Wanli was taken on February 15th, 1925. The characters in the photo are either "big coffee" or on the way to becoming "big coffee". The most familiar ones are naturally Hu Shi and Lin Yutang. Several inscriptions on the photo were written by Chen Wanli in different periods. The middle ones are "Hu Shizhi, Zhang Fengju, Shen Jianshi, Chang Hui, Zhu Yixian, Yuan Xiyuan, Li Xuanbo, Rong Geng, Qian Daosun, Chen Yuanan, Xu Xusheng, Lin Yutang, Ma Shuping, Shen Yinmo and Ye Haowu" from right to left, with 15 people in mind. The inscription on the right side of the photo was written in January 1947: "Before going to Dunhuang in the 14th spring of the People’s Republic of China, I took a photo when Peking University was friendly and farewell."
However, a closer look at the photos shows that there are 17 people standing, except Chen Wanli himself (standing in the middle), and the name of one person is not recorded in the inscription. After returning to Beijing from Dunhuang, Chen Wanli wrote "Journey to the West Diary", in which it was mentioned that on Sunday, February 15th, "I got up early and went to the Third Hospital (according to Peking University). Mr. Xiyuan, Mr. Kaneshi and Mr. Shu Pingsan had been here first and had a long talk. At ten o’clock, the farewell party of the Institute of Chinese Studies was held. The attendees included Shen Jianshi, Ma Shuping, Yuan Xiyuan, Hu Shizhi, Ye Haowu, Lin Yutang, Chen Yuanan, Zhang Fengju, Shen Yinmo, Huang Zhongliang, Li Xuanbo, Xu Xusheng, Chang Weijun, Rong Xibai, Zhu Yixian and Qian Daosun. Mr. Shu Ping gave a farewell speech first, followed by Yu Zhi’s reply. Mr. Jian Shi, Shi Zhi, Xi Yuan, Yu Tang and Hao Wu all have messages. After the meeting, please take a photo with Mr Wu Yuzhou. After returning to the Chinese studies door, I discussed with Yu Zhou, Yu Qing, Mei Zhuang and Wen Yu about some of the affairs of the Qing Dynasty Aftercare Committee photography. Therefore, the photographer of this photo is Wu Yuzhou. The person whose name is not recorded in the photo caption is Zheng Tianting (the first from the right in the last row, standing behind Zhang Fengju). Since 1924, Zheng Tianting has been a lecturer in Peking University Preparatory School. In addition, it was Huang Zhongliang (Huang Wenbi, the word Zhongliang) who attended the farewell party but did not appear in the photo. Huang Wenbi is a famous archaeologist in China. He graduated from the Philosophy Department of Peking University in 1918. In 1924, he worked in the antique showroom in Shen Jianshi to arrange cultural relics. In the same year, the Archaeological Research Office of the National Studies Department of Peking University established the Archaeological Society, and Huang Wenbi became one of the earliest members.The specific reason why Huang Wenbi didn’t attend the photo shoot is unknown.
So, why did Chen Wanli ask Wu Yuzhou to help him take photos? The reason is very simple, because Wu Yuzhou is a photography artist himself, and he is a key member of a community organization with Chen Wanli. In 1923, Chen Wanli, Wu Yuzhou, Huang Zhenhua, Liu Bannong and others initiated the establishment of the first photographic art group "Art Photo Research Association" in China (later renamed "Light Society"). In 1924, Chen Wanli took up the photography task of the Clean Room Aftercare Committee, so there will be a record in the diary of "discussing with Yu Zhou, Yu Qing, Mei Zhuang and Wen Yu about some affairs of the Clean Room Aftercare Committee photography". In addition, in 1924, Wu Yuzhou was also the tutor of photography department of Peking University Plastic Arts Research Association. In the early 1920s, the Plastic Arts Research Association of Peking University was chaired by Qian Daosun, who served as the vice president and its president was Cai Yuanpei. This is naturally the institutionalized design of "aesthetic education replacing religion".
In his early years, Qian Daosun loved and studied fine arts and medicine, not the translation and introduction of Japanese literature. Therefore, he has written and translated many articles related to art and medicine. In 1924, he also translated Volby’s Plastic Art in Germany (published by the Commercial Press). In 1925, Qian Daosun in the photo was 36 years old, with a flat head, round wide-brimmed glasses and a moustache, and looked older. In 1924, Chen Wanli published Gale Collection-One of Chen Wanli’s Photographic Works. Qian Daosun not only prefaced it, but also wrote a letter to Sun Fuyuan of Morning Post to introduce Gale Collection at the End of Chen Wanli: "I have known an artist for more than ten years. But he doesn’t take art as his profession, nor does he hear people calling him an artist; However, it is his whole life to be truly grateful for the natural beauty and not be able to create artistic beauty that expresses individuality in various ways. Many people know that he is a physician, and many people know that he is a man who can do things; Although he sometimes makes mountain ink paintings and sometimes sees himself on the stage, few people know that he is an artistic genius and has a very rich artistic life. "
Although the photographer of the auction is not Chen Wanli, this photo is really precious. However, I don’t know how the photographer feels. Fortunately, it is not a fake, and it is not bad for money or points. The lesson that onlookers can learn is that a photo auctioned for more than 60 thousand RMB shows that there are still ways to learn literature, history and philosophy well-at least it can save money.
Second, Ono Nobutaro’s Essay Beijing and Qian Daosun.

In 1940, Nobutaro Ono published "Essays on Beijing" in Tokyo’s No.1 study room, including an essay "Zhou Zuoren and Qian Daosun" with two photos, namely Zhou Zuoren and Qian Daosun. Among them, Qian Daosun’s photo has a self-signed signature, which must be presented to Ono Nobutaro. Zhou Zuoren’s photo was taken in Badaowan at a glance. Because at first glance, it looks very similar to the famous "selfie" photo after assassination in 1939.

In 1939, it was taken after Zhou Zuoren was assassinated.
Zhou Zuoren and Qian Daosun describes the author’s feelings of visiting Zhou Zuoren and Qian Daosun and expresses his admiration. In the expression of the "Japanese school" in the Republic of China, it is a common practice to mention "weekly money" together. As early as 1935, Cosmic Wind magazine published "Zhou Zuoren and Qian Daosun-two people I know who know Japan" signed by Gu Liang, which was already called this.
Nobutaro Ono went to Peiping in 1936 as a special researcher of Japanese Ministry of Foreign Affairs in China. During his stay in China, he had many contacts with famous scholars in Peiping. In fact, it is difficult to study the history of Sino-Japanese cultural exchange or "students studying in Japan" and "Japanese coming to China" without going around Zhou Zuoren and Qian Daosun. Qian Daosun lived in Shoubi Hutong at that time, and Japanese students and scholars in China often visited him at home, and even lodged with him. For related descriptions, please refer to Professor C by Yoshikawa, Memories of Mr. Qian Daosun by Ishida Kansuke, and Mr. Qian Daosun by Munaga Tiancheng, including the essays by Nobutaro Ono, and so on. Qian Daosun also founded the Quanshoudong Document Collection, which specializes in Japanese books and periodicals, for people to read. In addition, it is worth mentioning that Nobutaro Ono is also a member of the "Preparatory Committee" established by the National Assembly of the Japanese Literature Newspaper "People who are proficient in things around the co-prosperity circle". The so-called "Great East Asian Writers’ Conference" was planned by the Japanese Literature Newspaper Congress.
Third, Qian Daosun and Quan Shoudong’s Document Collection



These three photos are from No.1, Volume 2, 1944, of which the rare photo was taken by Qian Daosun in Quanshoudong Document Collection in 1934. Yang Liansheng used to be a student of Qian Daosun who taught Japanese in Tsinghua. He recorded in the article "Yi En Shi": "From about 1921, I set up a collection of Japanese books at home (East Wing) to collect Japanese books for people to read. It is mainly about literature and history, and its content is rich. In terms of personal book collection, it may be the largest in China at that time. " However, according to Japanese scholar Masako Inamori’s research in "Izumi Satoshi’s Private Japanese Language Library" (see also Su Zhenshu’s "A Letter about the Izumi Satoshi Satoshi Tojo Library"), Qian Daosun should have founded the "Izumi Tojo Document Collection" around 1930, and the Japanese Matsumura Taro. After the "September 18th Incident" in 1931, the "Book Collection" was temporarily closed and reopened the following year, which lasted until about 1935.
The captions of the other two photos are: "Qian Daosun and his wife were photographed at their residence in Chihiromachi, Japan in the 24th year of the Republic of China", and "Mr. Qian Daosun is in Japanese works". During Tsinghua’s time, Qian Daosun visited Japan many times or bought books. From 1934 to 1935, Qian Daosun, as a guide, led the "Tsinghua University Tour Group to Japan" to inspect Japan. According to Tsinghua Weekly (Volume 41, No.10, 1934), Gu Xianliang’s "The Bottom Trip of Our School’s Tour Group to Japan" records that on April 4, 1934, Qian Daosun and others set off from Tsinghua, arrived in Kobe on April 8, and arrived in Tokyo the next day. Qiao Guanhua and other students from Tsinghua who stayed in Tokyo welcomed them at the station and stayed at the Japanese Society. During their stay in Japan, Qian Daosun and others took part in various activities, followed by visits to Yokohama and Kyoto, and returned to Peiping on April 24th.
In addition, according to "Dining Notes of the Historical Society" (Tsinghua Weekly, Volume 43, No.4, 1935), one of the original intentions of this dinner was to set up a holiday for Qian Daosun to study in Japan in the second half of the year, and hoped that Qian Daosun would complete the purpose of going to Japan-to learn from Japanese scholars’ research on the history of China and investigate the unique and important information on China’s history, so as to purchase it. The photos published in Art and Literature Magazine in 1944 should have been taken during Qian Daosun’s vacation trip to Japan in 1935. The magazine was founded in July, 1943 and finally published in May, 1945. It is a part of the "Great East Asian Subculture Construction Movement" and aims to establish "Great East Asian Literature". Zhou Zuoren is an "important author" of this magazine, and many essays are published in this magazine. As for why Art Magazine published photos of Qian Daosun ten years ago, in a sense, the leader wanted to put the "daily" academic and cultural exchanges in 1935 in the "exceptional state" in 1944, so as to give it a specific meaning.
Fourth, Qian Daosun’s trip to Suzhou, a rare photo with Shu Yuan.

From left: Shu Yuan, Qian Daosun, and Japanese war literature writer Huoye Weiping, November 1944.
The photo was published in No.3, Volume 14, Magazine in 1944. This issue is a "Special Impressions of Writers", which is actually a special collection of writers about the third "Great East Asian Writers’ Conference". In November 1944, Japan’s war of aggression against China was a spent force, so the third "Great East Asian Writers’ Conference" was not held in Tokyo, Japan, like the previous two, but was held in Nanjing under the Wang puppet government. On the previous day, it was "the first session of China Literature Annual Meeting". After the meeting, about two-thirds of the participating writers went to Suzhou for a one-day trip, and for this reason, the magazine invited "our colleagues in Suzhou to invite Suzhou writers to write together and write’ Writers in Suzhou’ to impress each other".
At breakfast on the morning of November 11th, 1944, there was a table in Shanghai (including writers such as Louis, Bao Tianxiao and Tao Jingsun) and a table in North China. "The two sides are unfamiliar, so it’s too early to talk". After breakfast, three or four people, such as Zhou Yueran and Qian Daosun, took the car, and the rest took the bus. After getting off the bus, I learned, "I received a telegram last night, and Chairman Wang has died, so I am very sorry to stop the banquet these days." Wang Jingwei died in Nagoya, Japan at 10: 30am on November 10th, 1944. The China Literature Annual Meeting was held in Nanjing the next day, and the third Great East Asian Writers Conference was also held in Nanjing on November 12th. This is a symbol of history.
At the "China Literature Annual Meeting" held on November 11th, Qian Daosun was elected as the speaker and Tao Jingsun as the deputy speaker. Qian Daosun delivered a speech at the meeting, "First describe the significance of the meeting, and hope that everyone will unite and work hard for China’s cultural construction. The words are extremely brief". He is "nearly 60 years old, his hair is bald, his back is bent, and there are three deep wrinkles between his eyebrows. He has a small gray beard under his nose, and his face is ruddy. He is short and short, wearing a blue and black jacket, and his voice is low and weak. (See Yang Guangzheng’s China Literature Annual Meeting)
At this time, Qian Daosun served as the dean of the pseudo-Peking University College of Literature, and was the "chief representative" of China in the conference. Shu Yuan is the pseudo director of Jiangsu Education Department, so Qian Daosun will have a photo with him. That night was a reception dinner hosted by the pseudo-Jiangsu provincial government. Yuan Shu gave a welcome speech. Qian Daosun said that he had been to Suzhou more than forty years ago, "but he didn’t say much except a very short thank you speech". Qian Daosun also gave a lecture at the Pseudo-Jiangsu Institute of Education, where Lu Wanyi was the director of liberal arts at that time.
Five, "Zhou Qian" and "Rehabilitation of China Culture Symposium"

This photo can be found in the so-called "Symposium on Rebuilding China’s Culture", published in the 19th issue of the Digest edited and published by the Digest Society of Fudan University in 1938. This article is translated from the Japanese Osaka Daily News’s Symposium on Rebuilding China Culture, with the translator’s signature Yu Shihua. The introduction before the article thinks that "although the convening of this symposium was nominally initiated by Osaka Daily News Agency, I don’t think anyone can assert that it was not inspired by Japanese fascist warlords". On February 9, 1938, the symposium on "Rebuilding China’s Culture" was held in Peiping. The names of Zhou Zuoren, Qian Daosun and other well-known cultural figures were seen in the newspapers, and there were photos, which quickly caused great surprise and indignation among intellectuals in China’s rear during the war. Mao Dun, Hu Feng and Hu Qiuyuan jointly signed an Open Letter to Zhou Zuoren in Anti-enemy Literature and Art, urging them to leave Peiping quickly. "Otherwise, there is only agreement." After the forum, Zhou Zuoren and Qian Daosun successively assumed pseudo-posts, such as the director of the pseudo-Peking University Library, the dean of the College of Arts, the secretary-general of the pseudo-Peking University, and the supervision of the General Administration of Education of Japan and Japan.
There is only one side photo of Qian Daosun in the group photo, which is opposite to Zhou Zuoren’s position. It can be described as "Zhou Qian". However, Osaka Daily News mistook Qian Daosun’s name and wrote it as "Qiandao Village". It is reported that Qian Daosun made a brief speech at the forum: "My opinion coincides with that of Mr. Zhou. Even if Gai studied in "Beijing" for three or four years and didn’t go to Japan, it would be useless. In’ Beijing’, there are only middle schools that teach Japanese. I think it is really necessary to teach Japanese in middle school. "
6. In 1940, Qian Daosun attended and finished classes in the pseudo-Peking University.

This photo is taken from Qiu Wei’s book "Xing Wu Qianjia: The Fracture and Inheritance of Modern Academic and Cultural Families" (Zhejiang University Press, 2009), in which it is stated that the photo was provided by Mr. Yang Shaojing. There is also a Chinese inscription on the photo. Judging from the tone, the writer and photographer are Japanese: "So far, I have lived a school life every day, and educating those promising young people can really be called a great or happy person! In June, 1940, it was taken at the end of class in Beijing, China University.
Judging from the shooting time, this photo happens to be from the same period as the two photos of Qian Daosun in the "North China Traffic Photo Archives", and the photographer should be the same person. The photos numbered 35072 and 35070 in the "North China Traffic Photo Archives" were shown in December of the 15th year of Showa (1940), and the photographers were all Qiaozhao.

North China traffic photo file, Qian Daosun at this time as a pseudo-Peking University Secretary-General.
Eight, 1942, Qian Daosun.


These two books are from the ninth issue of Volume 3 of National Magazine in 1943. One of them introduces Qian Daosun’s life experience, and also says that "Mr. Wang attended the first Great East Asian Writers’ Conference last autumn on behalf of the literary circles in North China, and made great contributions to the exchange of Chinese and Japanese literature". From this, we can also get a general idea of the propaganda caliber of National Magazine.
Nine, Qian Daosun and the "Great East Asian Writers Conference"

Quoted from Wang Xiangyuan’s "Pen Army and the War of Aggression against China —— Research and Criticism on Japanese Literature of Aggression against China", Kunlun Press, 2015.
Wu Zhen’s "Classmate Record" said that Qian Daosun "presided over the Great East Asian Writers’ Conference for three consecutive years", which is not accurate. Qian Daosun has participated in two Great East Asian Writers’ Conferences, the first in Tokyo in 1942 and the third in Nanjing in 1944. Interestingly, on November 10, 1942, on the closing day of the first Great East Asian Writers’ Conference, NHK (News Image No.127, 1 minute and 40 seconds in total) in Japan once reported the conference, among which there were more than ten seconds’ video materials of rich rice sun, Shen Qiwu and others, which were very rare.

Qian Daosun, Speaker of the Third Great East Asian Writers’ Congress
The above-mentioned images of the Third Great East Asian Writers’ Congress are from the 17th issue of Volume 6 of Continental Pictorial in 1945. Qian Daosun is speaking as the speaker of the Third Great East Asian Writers’ Congress. Wu Zhen quoted the Special Edition of the Third Great East Asian Writers’ Conference, but the book was not accompanied by drawings. Among them, the special edition of the conference introduced Qian Daosun’s "unsmiling, Old Master Q style of Chinese studies".
Interestingly, when I looked up the archives of the National History Museum in Taiwan Province, I found that the museum collected photos of the third Great East Asian Writers’ Conference, one of which was a live photo of Qian Daosun’s speech at the conference, while the other picture was marked as "Qian Daosun is presenting awards to winners" and it was "Zhang Guan Li Dai" again.

Qian Daosun spoke on the stage at the Third Great East Asian Writers’ Conference. Quoted from Taiwan Province National History Museum, Wang Zhaoming Historical Materials, Wang Government Meetings and Awards Photos, collection number: 118-030200-0005-025.
The above picture just contrasts with the picture of "the meeting place of writers" in Continental Pictorial, and we can get a sense of wholeness. The flag of "Puppet Manchukuo", party flag of Kuomintang (Wang Puppet Regime) and Japanese flag are hung behind the rostrum of the conference.

Quoted from Taiwan Province National History Museum, Wang Zhaoming Historical Materials, Wang Government Meetings and Awards Photos, collection number: 118-030200-0005-052.
The above two pictures are from Taiwan Province National History Museum and Continental Pictorial respectively. The first picture is marked as "Award presented by the Speaker (Qian Daosun) of the Third Conference of Writers of Wang Government". In fact, if we look closely at the original picture, we can see that Qian Daosun is the one with a slight silhouette on the left side of the winner, and from the second picture, we can see that there is a sign on the podium that says "Speaker", so it is not Qian Daosun who awards the prize to the winner, but another person.
X. When Zhou Zuoren visited Japan in 1941, "Zhou Qian" shared a seat.

Zhou Zuoren and Qian Daosun visited Japan. Quoted from Wang Xirong’s "A Group of Photos about Zhou Zuoren", Shanghai Luxun Studies, No.2, 2005.
On April 6, 1941, as the newly appointed supervisor of the General Education Department of the North China Government Affairs Committee, Zhou Zuoren led a delegation of judges from the East Asian Cultural Agreement Association to visit Japan to attend the special ministerial meeting of the East Asian Cultural Association held in Kyoto. Zhou Zuoren, Qian Daosun and others belonged to the Ministry of Literature. At noon on April 17th, in Tokyo’s Xinggang Chaliao, many celebrities in Japanese literary circles held a luncheon to welcome Zhou Zuoren, and Qian Daosun also attended. Topics include "the review of Chinese and Japanese literary circles, and the anecdotes of the two countries".
Xi. Qian Daosun and the East Asian Cultural Agreement

Group photo of the second Council of East Asian Cultural Agreement, held at Imperial University Hall, Tokyo on December 2, 1938. Qian Daosun sits in the first row, 16th from the right.
The East Asian Cultural Agreement Society is an important organization of the Japanese Puppet in North China. It was established on August 30, 1938, and belongs to the Puppet Ministry of Education and the Xinmin Society. Zhou Zuoren was the second president, in which Qian Daosun served as a pseudo-post. Qian Daosun was a permanent member, a lecturer at Xinmin College, a reviewer in the Literature Department, and presided over the reviewer meeting as the chairman.
There must be some images about Qian Daosun, which will be excavated later. As for Qian Daosun’s "face value" in the image, we can quote an article that has never been noticed, entitled "Impression of Qian Daosun", published in the third issue of Gale in 1941, and the author signed You Wu. Gale was a Jinan publication under Wang’s puppet regime, so Wang Jingwei, Chen Gongbo and others all published articles in it. The reason why the above article has not been quoted by scholars is probably because the tout or the hand people wrote Qian Daosun’s name wrong. The article said, "Mr. Qian is already a famous old professor in China. He is not very tall, his body is quite burly, his face is oblong, and he has a pair of extremely deep myopia glasses on his nose. Under his nose, he has a moustache and his hair is half white. No matter in winter or summer, I always wear domestic cloth with a pair of Melaleuca dress tweed shoes under my feet. It looks like a scholar. That face, manner and even costume are similar to the old man in Zhitang in Kuyu Zhai. If they sit together, then someone will mistake them for Kunzhong because they are too similar. " The juxtaposition of Zhou Zuoren and Qian Daosun may also be a kind of political rhetoric.





























